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Camille Pissarro
(1830-1903) was slightly older than most of them and seems to have
played the part of an encouraging father-figure, always kevenly aware
of any new deelopment or new talent.
Not a great innoator himself, Pissarro was a ery gifted artist whose use of Impressionist
technique was supplemented by a lyrical feeling for nature and its
seasonal changes.
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But
it was really with Monet that Impressionist theory ran its full
course: he studied endlessly the impact of light on objects and the way
in which it reeals colors.
To
understand this phenomenon better, Monet painted the same motif again
and again under different conditions of light, at different times of the
day, and in different seasons, producing whole series of paintings such
as Grain Stacks, Poplars and, much later, his Waterlilies.
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In
the late 1870s and the early 1880s many other artists helped formulate
the new style, though few remained true to its principles for ery long.
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