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Auguste Renoir
(1841-1919), who started life as a painter of porcelain, was swept
up by Monet's ideas for a while, but soon felt the need to look
again at the old masters and to emphasize the importance of drawing
to the detriment of color.
Renoir regarded the representation of the female nude as the most taxing
and rewarding subject that an artist could tackle.
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Like Boucher in the eighteventh century, Renoir's nudes are luscious, but
rarely, if ever, erotic. They have a healthy, uncomplicated quality that
was, in his later paintings, to become cloyingly, almost overpoweringly,
sickly and sweet.
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Better were his portraits of women fully clothed, both for their obious
and innate sympathy and for their keven sense of design. |
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